NeRF View Synthesis: Subjective Quality Assessment and Objective Metrics Evaluation

被引:0
|
作者
Martin, Pedro [1 ]
Rodrigues, Antonio [1 ]
Ascenso, Joao [1 ]
Paula Queluz, Maria [1 ]
机构
[1] Univ Lisbon, Inst Telecomunicacoes, Inst Super Tecn, P-1049001 Lisbon, Portugal
来源
IEEE ACCESS | 2025年 / 13卷
关键词
Measurement; Quality assessment; Neural radiance field; Visualization; Cameras; Three-dimensional displays; Video recording; Video sequences; Rendering (computer graphics); Pose estimation; NeRF; objective quality metrics; subjective quality assessment; view synthesis; SCENES;
D O I
10.1109/ACCESS.2024.3522768
中图分类号
TP [自动化技术、计算机技术];
学科分类号
0812 ;
摘要
Neural radiance fields (NeRF) are a groundbreaking computer vision technology that enables the generation of high-quality, immersive visual content from multiple viewpoints. This capability has significant advantages for applications such as virtual/augmented reality, 3D modelling, and content creation for the film and entertainment industry. However, the evaluation of NeRF methods poses several challenges, including a lack of comprehensive datasets, reliable assessment methodologies, and objective quality metrics. This paper addresses the problem of NeRF view synthesis (NVS) quality assessment thoroughly, by conducting a rigorous subjective quality assessment test that considers several scene classes and recently proposed NVS methods. Additionally, the performance of a wide range of state-of-the-art conventional and learning-based full-reference 2D image and video quality assessment metrics is evaluated against the subjective scores of the subjective study. This study found that errors in camera pose estimation can result in spatial misalignments between synthesized and reference images, which need to be corrected before applying an objective quality metric. The experimental results are analyzed in depth, providing a comparative evaluation of several NVS methods and objective quality metrics, across different classes of visual scenes, including real and synthetic content for front-face and 360 degrees camera trajectories.
引用
收藏
页码:26 / 41
页数:16
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