Dislocating the Language of Modernity in Amitav Ghosh's The Circle of Reason

Engaging with Amitav Ghosh's recent essays that link imperial modernity's mechanistic view of the world to the novel's failure to imagine climate change, this article examines how Ghosh's fiction attempts to dislocate narratives of modernity to reveal a world constructed by capital and naturalized through reason. Drawing on the work of postcolonial theorists on the introduction of Western science to India, this article returns to Ghosh's first novel, The Circle of Reason, to focus on the intimate scale of the transformations that imperial modernity enacted on the human body and psyche. Though underrepresented in scholarship on Ghosh, this novel is a critical site for understanding Ghosh's view of how the ideology of modernity gets entrenched as scientific reason, reshaping humankind's relationship with the human body and the surrounding world. The novel's representation of the body, moreover, proposes an intimate and uncanny space that discloses alternative ways of imagining the world.