SCHOENBERG CREATIVE EVOLUTION - PATH TO ATONALITY

被引：0

作者：

FORTE, A ^{[1
]}

机构：

[1] YALE UNIV,DEPT MUS,NEW HAVEN,CT 06520

来源：

MUSICAL QUARTERLY | 1978年 / 64卷 / 02期

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暂无

中图分类号：

J6 [音乐];

学科分类号：

摘要：

引用

页码：133 / 176

页数：44

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[1] SCHOENBERG AND ATONALITY
ROSEN, C
[J]. GEORGIA REVIEW, 1975, 29 (02): : 298 - 327
[2] Atonality, analysis, and the intentional fallacy + Schoenberg's atonal compositions
Haimo, E
[J]. MUSIC THEORY SPECTRUM, 1996, 18 (02) : 167 - 199
[3] Arnold Schoenberg: Three piano works opus-11. Studies on Schoenberg's early atonality
Whittall, A
[J]. MUSIC & LETTERS, 2001, 82 (04) : 668 - 671
[4] SERIAL COMPOSITION AND ATONALITY - INTRODUCTION TO THE MUSIC OF SCHOENBERG, BERG, AND WEBERN - PERLE,G
WHITTAL, A
[J]. MUSIC REVIEW, 1979, 40 (01): : 57 - 63
[5] WEBERN AND ATONALITY - THE PATH FROM THE OLD AESTHETIC
WHITTALL, A
[J]. MUSICAL TIMES, 1983, 124 (1690): : 733 - 737
[6] SERIAL COMPOSITION UND ATONALITY - AN INTRODUCTION TO THE MUSIC OF SCHOENBERG, BERG, AND WEBERN - PERLE,G
SEIFERT, W
[J]. NEUE ZEITSCHRIFT FUR MUSIK, 1982, 143 (10): : 78 - 79
[7] Verse and Atonality. Procedure of Text Setting in the three atonal Songs of Arnold Schoenberg and Anton Webern
Wissmann, Friederike
[J]. MUSIKFORSCHUNG, 2016, 69 (01): : 80 - 82
[8] Composing on stage: Schoenberg and the creative process as public performance
Auner, J
[J]. NINETEENTH CENTURY MUSIC, 2005, 29 (01): : 64 - 93
[9] The Method of Arnold Schoenberg Artistic Genesis and Creative Process
Meyer, Andreas
[J]. MUSIKFORSCHUNG, 2013, 66 (02): : 191 - 193
[10] Ecstay, dream and death. The relation between text and atonality in vocal works by Arnold Schoenberg, Alban Berg and Anton Webern
Budde, E
[J]. OSTERREICHISCHE MUSIKZEITSCHRIFT, 2003, 58 (11-12): : 76 - 78

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