The Spectator in the photographic image vs the spectator

The spectator photographic representation as much inside as outside the frame of snapshots of ETA attacks inserted in the Spanish press, from the end of the sixties decade to the present time, crosses by diverse stages. In each one of these will respond itself to three questions: the distance in space and temporary to which one is from the place of the facts, the contents that it sees and which is the paper that carries out.