On the re-use of the theatre

Taviani suggest, in broad online, a paradigm to be attached/given to 20th century theatre, not as an alternative but rather as an additioanl element to more accredited readings. He traces the story of a "cultural object" which in becoming absolete. changed its nature. contriving to remain a protected "cultural beritage" thanks to a series of "conjuring tricks" founded on uncertainly. cunning and weakness. He shows how this object was enticed by the prospect of going beyond its own limits in different ways. and throught this, developing the potential of its single parts: a whole series of passe-muraille practice developed throught the force of "accidental sagacity" or serendipity.