Images of exile: Tracing the past within the present in Henri-Francois Imbert's No Pasaran! Album souvenir

被引：0

作者：

Bray, Maryse ^{[1
]}

Calatayud, Agnes ^{[2
]}

机构：

[1] Univ Westminster, Dept Modern Languages, 309 Regent St, London W1B 2UW, England

[2] Univ London, Birkbeck Coll, Sch Languages Linguist & Culture, French Dept, London WC1H 0PD, England

来源：

STUDIES IN EUROPEAN CINEMA | 2007年 / 4卷 / 01期

关键词：

Imbert; No Pasaran! Album souvenir; exile; memory; immigration; Spanish civil war; Sangatte;

D O I：

10.1386/seci.4.1.61_1

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

Henri-Francois Imbert's No Pasaran! Album souvenir (2003) focuses on a lesser known episode of the Spanish Civil War; half a million Republicans fled their country after Franco's victory and crossed the border into France only to be 'parked' in makeshift refugee camps, ostracised by the host country about to fall into the hands of the Vichy government. The film is an illustration of the validity of cinema as a medium to help us understand history and offers welcome alternatives from the cliche-ridden representations of migrants in popular culture.

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页码：61 / 72

页数：12