Images of feminine and nationalism in solo dances in Brazil: the ballet of Eros Volusia and the performance of Luiz de Abreu

被引：0

作者：

Meyer, Sandra ^{[1
]}

机构：

[1] Univ Estado Santa Catarina, Programa Posgrad Teatro Ctr, Florianopolis, SC, Brazil

来源：

URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS | 2013年 / 2卷 / 21期

关键词：

Solo dance; Eros Volusia; Luiz de Abreu; Nationalism; Female;

D O I：

暂无

中图分类号：

TU242.2 [影院、剧院、音乐厅];

学科分类号：

摘要：

The article discusses the importance and impact of the Eros Volusia's dance solos pointing to the "antropofagica" operation that held in their dance in relation to nationals and foreign cultural references. In addition to analyzing Volusia's solo dances and her goal of constructing a "national bailado" based on the miscegenation of European, black, and indigenous cultural elements, with echoes of the nationalist political ideology dominant in this historic period in Brazil, the article establishes a relationship between this pioneer modern soloist and the solo "Samba do crioulo doido", by Luiz de Abreu, a Brazilian artist active in contemporary dance, who analyzes themes important to Volusia: Brazilianness and, by extension, the image of Brazilian women related to sensuality and malevolence.

引用

页码：128 / 140

页数：13