THE MORAL IMPACT OF NATIONAL MUSIC DURING GLOBALIZATION ERA

The article outlines the moral values of the national music in the global era, the samples of the tradition of traditional music, which form the basis of the spiritual heritage. Their ambiguous treatment during the Soviet period keeping the opportunity to influence outlook of growing up generation is shown and critically estimated. The review of ceremonial and genre arts as fundamentals of traditional music is given, the community of musical heritage of the Turkic-speaking people, including Kazakh and Uzbek is shown. In the context of educational influence also such important component of national music as works of professional composers is presented. Including - operas "Kyz Zhibek" of E. Brusilovsky, "Abay" A. Zhubanov and L. Hamidi's, "Birzhan-Sara"M. Tulebayeva and others among with traditional values and also "Enlik - Kebek", "28" G. Zhubanova, "Abylay the khan" E. Rakhmadiyeva in the context of their new and relevant impact on public consciousness. At the same time, the measure of moral influence on society in the conditions of globalization of modern performers and poets of an aitys clears up. In this regard, the special ideological and educational value of the art of an aitys which is defined, first of all, with the scale of the creative talent competing and, secondly, his opportunities in respect of public relations and abilities to influence the development of society is emphasized.