Remixing, Reposting, and Reblogging: Digital Media, Theories of the Image, and Copyright Law

被引：3

作者：

Ekstrand, Victoria Smith ^{[1
]}

Silver, Derigan ^{[2
,3
]}

机构：

[1] Bowling Green State Univ, Sch Media & Commun, Bowling Green, OH 43403 USA

[2] Univ Denver, Sturm Coll Law, Denver, CO 80208 USA

[3] Univ Denver, Dept Media Film & Journalism Studies, Denver, CO 80208 USA

来源：

VISUAL COMMUNICATION QUARTERLY | 2014年 / 21卷 / 02期

关键词：

D O I：

10.1080/15551393.2014.928155

中图分类号：

G2 [信息与知识传播];

学科分类号：

05 ; 0503 ;

摘要：

Social media have changed the way we create, share, and experience visual media. Such collaborative exchanges defy traditional notions of ownership and do not conform to copyright's view of the image as a singularly "fixed" construct. In mobile contexts especially, images are dialogic, conveying far more complicated messages than ever before. This article relies on an examination of theories of the image to inform discussions about copyright reform in the digital age. It briefly explores visual culture theory and the status of visual media in copyright law, and it offers suggestions for how copyright law might adapt to encourage online visual expression, creativity, and economic gain.

引用

页码：96 / 105

页数：10

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